Thursday, February 18 at 6PM (pt) | 9PM(et)
GÖRING'S MAN IN PARIS
by Jonathan Petropoulous
& THE RAVINE
by Wendy Lower
GÖRING'S MAN IN PARIS
Bruno Lohse (1911–2007) was one of the most notorious art plunderers in history. Appointed by Hermann Göring to Hitler’s art looting agency in Paris, he went on to help supervise the systematic theft and distribution of more than thirty thousand artworks, taken largely from French Jews, and to assist Göring in amassing an enormous private art collection. By the 1950s Lohse was officially denazified but was back in the art dealing world, offering masterpieces of dubious origin to American museums. After his death, dozens of paintings by Renoir, Monet, and Pissarro, among others, were found in his Zurich bank vault and adorning the walls of his Munich home. Jonathan Petropoulos spent nearly a decade interviewing Lohse and continues to serve as an expert witness for Holocaust restitution cases. Here he tells the story of Lohse’s life, offering a critical examination of the postwar art world.
In 2009, the acclaimed author of Hitler’s Furies was shown a photograph just brought to the United States Holocaust Memorial Museum. The documentation of the Holocaust is vast, but there are virtually no images of a Jewish family at the actual moment of murder, in this case by German officials and Ukrainian collaborators. A Ukrainian shooter’s rifle is inches from a woman's head, obscured in a cloud of smoke. She is bending forward, holding the hand of a barefooted little boy. And—only one of the shocking revelations of Wendy Lower’s brilliant ten-year investigation of this image—the shins of another child, slipping from the woman’s lap.
Wendy Lower’s forensic and archival detective work—in Ukraine, Germany, Slovakia, Israel, and the United States—recovers astonishing layers of detail concerning the open-air massacres in Ukraine. The identities of mother and children, of the killers—and, remarkably, of the Slovakian photographer who openly took the image, as a secret act of resistance—are dramatically uncovered. Finally, in the hands of this brilliant exceptional scholar, a single image unlocks a new understanding of the place of the family unit in the ideology of Nazi genocide.