THURSDAY, NOVEMBER 7 AT 7PM
CITY OF IMMORTALS
BY CAROLYN CAMPBELL
This first-person account of a legendary necropolis will delight Francophiles, tourists and armchair travelers, while enriching the experience of taphophiles (cemetery lovers) and aficionados of art and architecture, mystery and romance
Carolyn Campbell’s evocative images are complemented by those of renowned landscape photographer Joe Cornish. “City of Immortals” celebrates the novelty and eccentricity of Père-Lachaise Cemetery through the engrossing story of the history of the site established by Napoleonic decree along with portraits of the last moments of the cultural icons buried within its walls.
In addition to several “conversations” with some of the high-profile residents, three guided tours are provided along with an illustrated pull-out map featuring the grave sites of eighty-four architects, artists, writers, musicians, dancers, filmmakers and actors, including Oscar Wilde, Jim Morrison of the Doors. Frédéric Chopin, Georges Bizet, Edith Piaf, Maria Callas, Isadora Duncan, Eugène Delacroix, Gertrude Stein, Amedeo Modigliani, Sarah Bernhardt, Simone Signoret, Colette and Marcel Proust.
Carolyn Campbell was born in Washington, DC, has lived in Paris, and is now a resident of Los Angeles. A published writer and an exhibited photographer, her fascination with Père-Lachaise was kindled on a first visit to Paris in 1981. She has held executive positions with the Corcoran Gallery of Art, the American Film Institute, and the UCLA School of the Arts and Architecture, where she was also editor of UCLA Arts magazine.
Here's the thing...
If you're getting a book signed at Chevalier's, please purchase it at Chevalier's.
Our events are free, and we welcome anyone and everyone to enjoy a night of riveting intellectual discussion. We are, however, a small independent bookstore, and we rely on event revenues to continue hosting them. So, if you're going to get a book signed,please purchase that book here. This way, we can keep the spectacular nights coming.